gdark1.jpg (29172 bytes)gdark1b.jpg (30440 bytes)gdark1g.jpg (29690 bytes) 

 

 

 

 

 

 

 

 

Salonism: The Sunday Herald 1999
yesterday is real estate


Imagine, because I’d like you to, a brazen, nude hermaphrodite with the clenched-fist face of Malcolm Muggeridge.  Now paste in a soiled mattress, a motel room and a randy pensioner you’re convinced is Bertrand Russell.  While it may seem the whim of a perverse mind at play, I’d also like to ask you to click ‘SAVE’ on that tableau vivant of the great Christian Moralist and the Pacifist Philosopher for just a moment, as we ponder the links between Internet porn, the emergent tourism of the 21st century and cheap holidays in other people’s History.

As you read, the complete human archive - films and diaries and paintings and newspapers, recipes and family photos, abstracted to strings of ones and zeroes - is undergoing a steady, discreet conversion into digital data.  Our entire cultural record, available in every home, via the telephone, direct to the screen, making History as convenient as the local 24-hour cornershop.

I submit that, just as the sailing ships of the Mediterranean empires opened the doors to the New World, just as space shuttles ferry our astronauts to the foothills of the infinite, so are our computers prototype time travel engines. The technology may be gumming a rusk but steps to develop the undefiled landscapes of our foremothers and fathers are already being taken.   A computer, a digital camera, a modem, some Photoshop packages: all you’ll need to plan your own holiday in All Our Yesterdays.  Think of Tom Hanks in ‘Forrest Gump’, schmoozing LBJ, Lennon and Bobby Kennedy.  Think of the young Dennis Hopper shanghaied into a car ad by his older, more cynical self.  Think, above all, of the potential ;wearing our own cut-and-pasted images like spacesuits, we can freefall into the picture libraries of the past and party with the dead.  If the software fits, any one of us can star in ‘Psycho’ or remake ‘The Sound of Music’ with Diamanda Galas in the Julie Andrews role.  

The time-tourist in this world of perpetual now has CGI packages capable of retouching the Zapruder footage to include a Take That reunion on the Grassy Knoll.  A few mouse-clicks arranges the kidnap of Hitler and Goebbels from the 1938 Munich Olympics and strands them forever, applauding, in the background of Uncle Isaac’s bar mitzvah video.  Arnold Schwarzenegger and Grace Jones pushing your pram through Palermo in 1974?  No problemo.  We have the power to stalk Saddam, undetected, through Gulf War footage, hang out in old ‘Dad’s Army’ episodes or insert our grown-up faces into black and white albums, haunting mum and dad before we were born. Cut-and-paste, edit, save, delete, merge, rotate, shear.  What once seemed solid and certain dissolves, liquefies and ferments, metamorphosing like a moth in a bag.


I recall a time when the past, romanticised till it shone or thundered, was pimped as something truly ‘unspoiled’ and ‘untouchable’; the foundation stone, the eternal rock of tradition upon which our days and lives were built.   Instead, the spectacle of two grand old men of letters engaged in a sweaty power exchange on the VDU behind your eyelids.  A curious glance at the digitally-counterfeited ‘celebrity porn’ sites on the Net will reveal, to your undoubted delight or dismay, that Famed Philosophers Faking is not so far from the truth of the labyrinthine byways of alt.sex.  No-one is safe any longer, no image beyond capture, dissection and proliferation, no text sacred and inviolate.  A dignified, elderly scholar is easily implicated in a pornographic scam or sampled and condemed to rap on a club track. Joe McCarthy and Joe Stalin can be made to kiss like Romeo and Juliet.  The only price we pay for our conquest of History is an acceptance of its rules; we, in our turn, must agree to become fair game for cameras, computers and wire.


So, aside from insulating yourself with lead shielding, there is really very little you can do to prevent your next door neighbour from snapping a series of digital photographs of you chasing the ice cream van.  There is nothing you can do to stop him downloading his results and morphing your head onto the shoulders of John Knox, for purposes of sexual arousal.  The homegrown otaku from number 45 already has access to technology which permits him to pleasure himself before an onscreen display of your prize turnips grafted to a torso of Marilyn Monroe...if that’s what toggles the scamp’s joystick. Hardcore Disney, the Mona Lisa discreetly swallowing while Michelangelo’s David smokes a fag in the background, Dolly the Sheep baying at the moon.


Like dodgy middle-aged bachelors booking flights to Chiang Mai, we tremble on the threshold of a kingdom of unleashed, unpoliced desire.  It will be fascinating to see if we can be trusted any more than they can.  The past is, indeed, another country; you can grab it by the acre for the price of a phone card and do things to people there that would get you arrested back home. No passport required.

So relax, turn down the lights, power up the PC and unzip.
History can’t wait.

 

 

Home ] Up ] NEWS ] BIOGRAPHY ] COMICS & MORE ] COLUMN ] DIGITAL INK ] POP MAGIC! ] GALLERY ] LINKS ]

Contact webmaster at grant-morrison dot com with questions or comments about this web site.


Words and Photographs are Copyright © 2000/2006 Grant Morrison - please seek writers permission to reproduce any material.

                                                        

                                                                                                          
Last modified: 26/02/2006